UPSC Static Quiz – Art and Culture : 3 June 2026 We will post 5 questions daily on static topics mentioned in the UPSC civil services preliminary examination syllabus. Each week will focus on a specific topic from the syllabus, such as History of India and Indian National Movement, Indian and World Geography, and more. We are excited to bring you our daily UPSC Static Quiz, designed to help you prepare for the UPSC Civil Services Preliminary Examination. Each day, we will post 5 questions on static topics mentioned in the UPSC syllabus. This week, we are focusing on Indian and World Geography.
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Participating in daily quizzes helps reinforce your knowledge and identify areas that need improvement. Regular practice will enhance your recall abilities and boost your confidence for the examination. By covering various topics throughout the week, you ensure a comprehensive revision of the syllabus.
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Question 1 of 5
1. Question
Consider the following statements regarding musical instruments of the North-East:
- The Pena is a bowed instrument from Manipur used in religious festivals like Lai Haraoba.
- The Pung is a barrel-shaped drum used in the classical Manipuri dance form, Sankirtana.
- The Kombu is a long horn wind instrument typically used in the temple rituals of Mizoram.
How many of the above statements are correct?
Correct
Solution: B
- Statement 1 is correct; the Penais a one-stringed bowed instrument that is the heart of Manipuri folk and traditional music.
- Statement 2 is correct; the Pungis a specialized drum whose rhythmic patterns are the foundation of the Manipuri Sankirtana, a form of congregational singing and dancing included in the UNESCO list.
- Statement 3 is incorrect; the Kombuis actually a horn instrument from Kerala (South India), not Mizoram.
Incorrect
Solution: B
- Statement 1 is correct; the Penais a one-stringed bowed instrument that is the heart of Manipuri folk and traditional music.
- Statement 2 is correct; the Pungis a specialized drum whose rhythmic patterns are the foundation of the Manipuri Sankirtana, a form of congregational singing and dancing included in the UNESCO list.
- Statement 3 is incorrect; the Kombuis actually a horn instrument from Kerala (South India), not Mizoram.
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Question 2 of 5
2. Question
Consider the following statements:
Statement-I: The Shehnai and the Nadaswaram are both double-reed wind instruments but are prominent in different regional traditions.
Statement-II: The Shehnai is primarily associated with North Indian marriages and rituals, while the Nadaswaram is an essential part of South Indian temple ceremonies.
Which one of the following is correct in respect of the above statements?
Correct
Solution: B
- Statement-I is correct; both instruments belong to the Sushira Vadya(wind) category and share a double-reed mechanism.
- Statement-II is also correct; it accurately identifies the regional and social contextsof both—Shehnai in the North and Nadaswaram (which is much larger and louder) in the South.
However, Statement-II is not an “explanation” for Statement-I. Statement-II provides complementary information about where the instruments are played, but it doesn’t explain why they are double-reed instruments or the logic of their classification.
Incorrect
Solution: B
- Statement-I is correct; both instruments belong to the Sushira Vadya(wind) category and share a double-reed mechanism.
- Statement-II is also correct; it accurately identifies the regional and social contextsof both—Shehnai in the North and Nadaswaram (which is much larger and louder) in the South.
However, Statement-II is not an “explanation” for Statement-I. Statement-II provides complementary information about where the instruments are played, but it doesn’t explain why they are double-reed instruments or the logic of their classification.
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Question 3 of 5
3. Question
Consider the following statements:
- The Pakhavaj is the common ancestor of both the Hindustani Tabla and the Carnatic Mridangam.
- The Tabla consists of a pair of drums, while the Mridangamis a single double-headed drum.
- The Tabla is exclusively used in the Dhrupad style of singing.
How many of the above statements are incorrect?
Correct
Solution: A
- Statement 1 iscorrect; the Pakhavaj is historically the root from which the percussion traditions of the North and South branched out.
- Statement 2 iscorrect; the Tabla is a set of two drums (Dayan and Bayan), whereas the Mridangam is a one-piece, double-headed drum.
- Statement 3 isincorrect because the Tabla is the primary accompaniment for the Khayal and Thumri styles, whereas Dhrupad is traditionally accompanied by the Pakhavaj.
Incorrect
Solution: A
- Statement 1 iscorrect; the Pakhavaj is historically the root from which the percussion traditions of the North and South branched out.
- Statement 2 iscorrect; the Tabla is a set of two drums (Dayan and Bayan), whereas the Mridangam is a one-piece, double-headed drum.
- Statement 3 isincorrect because the Tabla is the primary accompaniment for the Khayal and Thumri styles, whereas Dhrupad is traditionally accompanied by the Pakhavaj.
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Question 4 of 5
4. Question
With reference to world-renowned Indian musicians and their instruments, consider the following pairs:
- Zakir Hussain — Tabla
- Hariprasad Chaurasia — Bansuri (Flute)
- Shiv Kumar Sharma — Santoor
- Ravi Shankar — Sitar
How many of the above pairs are correctly matched?
Correct
Solution: D
- The popularization of Indian classical music globally is largely due to several iconic virtuosos.
- Pair 1 is correct; Zakir Hussain is a maestro of the Tabla, recognized for his intricate rhythms and global collaborations.
- Pair 2 is correct; Hariprasad Chaurasia is the most celebrated exponent of the Bansuri, having elevated the bamboo flute from a folk instrument to a premier classical solo instrument.
- Pair 3 is correct; Shiv Kumar Sharma is credited with introducing the Santoor, a 100-stringed Kashmiri folk dulcimer, into the Hindustani classical tradition.
- Pair 4 is correct; Ravi Shankar was a legendary Sitar player who played a pivotal role in introducing Indian music to the Western world in the 1960s. Each of these artists is a “household name” in Indian culture, and their association with their respective instruments is a fundamental fact for Art and Culture preparation.
Incorrect
Solution: D
- The popularization of Indian classical music globally is largely due to several iconic virtuosos.
- Pair 1 is correct; Zakir Hussain is a maestro of the Tabla, recognized for his intricate rhythms and global collaborations.
- Pair 2 is correct; Hariprasad Chaurasia is the most celebrated exponent of the Bansuri, having elevated the bamboo flute from a folk instrument to a premier classical solo instrument.
- Pair 3 is correct; Shiv Kumar Sharma is credited with introducing the Santoor, a 100-stringed Kashmiri folk dulcimer, into the Hindustani classical tradition.
- Pair 4 is correct; Ravi Shankar was a legendary Sitar player who played a pivotal role in introducing Indian music to the Western world in the 1960s. Each of these artists is a “household name” in Indian culture, and their association with their respective instruments is a fundamental fact for Art and Culture preparation.
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Question 5 of 5
5. Question
Consider the following statements:
Statement I: The Santoor is a stringed instrument primarily associated with the state of Jammu and Kashmir.
Statement II: The Santoor was originally a folk instrument used in Sufi music before being adapted for Indian classical music.
Which one of the following is correct in respect of the above statements?
Correct
Solution: B
- Both statements are factually correct, but Statement-II does not correctly explain Statement-I. The Santoor is a stringed instrument strongly associated with Jammu and Kashmir, where it has been traditionally used in Sufiana Kalam, a classical–Sufi musical form rooted in the region. This regional association explains why the instrument is culturally identified with Kashmir.
- Statement-II is also correct because historically the Santoor evolved from the Persian Santur and functioned largely as a folk and Sufi instrument for centuries. Its entry into Hindustani classical music is relatively recent, particularly in the twentieth century, when it was technically modified and stylistically systematised for raga-based performance.
- However, the fact that it was originally used in Sufi or folk traditions does not logically explain why it is associated with Jammu and Kashmir; that association arises from long-standing regional practice rather than from its later adaptation into classical music.
Incorrect
Solution: B
- Both statements are factually correct, but Statement-II does not correctly explain Statement-I. The Santoor is a stringed instrument strongly associated with Jammu and Kashmir, where it has been traditionally used in Sufiana Kalam, a classical–Sufi musical form rooted in the region. This regional association explains why the instrument is culturally identified with Kashmir.
- Statement-II is also correct because historically the Santoor evolved from the Persian Santur and functioned largely as a folk and Sufi instrument for centuries. Its entry into Hindustani classical music is relatively recent, particularly in the twentieth century, when it was technically modified and stylistically systematised for raga-based performance.
- However, the fact that it was originally used in Sufi or folk traditions does not logically explain why it is associated with Jammu and Kashmir; that association arises from long-standing regional practice rather than from its later adaptation into classical music.
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