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Question 1 of 5
1. Question
Consider the following statements regarding the classical dance ‘Mohiniyattam’.
- Mohiniyattam is essentially a group dance performance by women.
- The Lasya aspect of dance is dominant.
- It is based on secular themes.
Which of the above statements is/are correct?
Correct
Solution: b)
Mohiniyattam is essentially a solo dance performance by women in the state of Kerala. Mohiniyattam combines the grace and elegance of Bharatanatyam with the vigour of Kathakali. There is a marked absence of thumping of footsteps and the footwork is gentle.
Mohiniyattam generally narrates the story of the feminine dance of Vishnu. The Lasya aspect (beauty, grace) of dance is dominant in a Mohiniyattam recital. Hence, it is mainly performed by female dancers.
Incorrect
Solution: b)
Mohiniyattam is essentially a solo dance performance by women in the state of Kerala. Mohiniyattam combines the grace and elegance of Bharatanatyam with the vigour of Kathakali. There is a marked absence of thumping of footsteps and the footwork is gentle.
Mohiniyattam generally narrates the story of the feminine dance of Vishnu. The Lasya aspect (beauty, grace) of dance is dominant in a Mohiniyattam recital. Hence, it is mainly performed by female dancers.
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Question 2 of 5
2. Question
Consider the following statements regarding Kathakali.
- Kathakali has its source in Ramanattam and Krishnattam.
- It involves both dance and drama.
- It is also closely related to ancient martial-arts performance.
Which of the above statements is/are correct?
Correct
Solution: d)
In the temples of Kerala, two forms of dance-drama, Ramanattam and Krishnattam, evolved under the patronage of feudal lords, narrating episodes from Ramayana and Mahabharata. These folk drama traditions latter became the source of Kathakali. It is closely related to Koodiyattam (Sanskrit
darama tradition) and other ancient martial-arts performance also.
It involves both dance and drama and the two cannot be clearly separated.
Incorrect
Solution: d)
In the temples of Kerala, two forms of dance-drama, Ramanattam and Krishnattam, evolved under the patronage of feudal lords, narrating episodes from Ramayana and Mahabharata. These folk drama traditions latter became the source of Kathakali. It is closely related to Koodiyattam (Sanskrit
darama tradition) and other ancient martial-arts performance also.
It involves both dance and drama and the two cannot be clearly separated.
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Question 3 of 5
3. Question
The well-known Brihadisvara Temple is famous for houses paintings of Hindu deities and dedicated to Shiva, which was built by
Correct
Solution: d)
Brihadisvara Temple is a Hindu temple dedicated to Shiva located in Thanjavur, Tamil Nadu. It follows Dravidian architecture. It is called as Dhakshina Meru (Meru of south). Built by Rajaraja Chola I between 1003 and 1010 AD, the temple is a part of the UNESCO World Heritage Site known as the “Great Living Chola Temples”, along with the Chola dynasty era Gangaikonda Cholapuram temple and Airavatesvara temple. Built out of granite, the vimana tower above the sanctum is one of the tallest in South India.
Incorrect
Solution: d)
Brihadisvara Temple is a Hindu temple dedicated to Shiva located in Thanjavur, Tamil Nadu. It follows Dravidian architecture. It is called as Dhakshina Meru (Meru of south). Built by Rajaraja Chola I between 1003 and 1010 AD, the temple is a part of the UNESCO World Heritage Site known as the “Great Living Chola Temples”, along with the Chola dynasty era Gangaikonda Cholapuram temple and Airavatesvara temple. Built out of granite, the vimana tower above the sanctum is one of the tallest in South India.
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Question 4 of 5
4. Question
The Buddha taught that suffering and unhappiness is caused because
- We have cravings and desires which often cannot be fulfilled.
- We do not practice immobile asceticism.
- The basic condition of the existence of nature is suffering.
Select the correct answer code:
Correct
Solution: c)
Buddha taught that sometimes, even if we get what we want, we are not satisfied, and want even more (or want other things). The Buddha described this as thirst or tanha.
He taught that this constant craving could be removed by following moderation in everything.
Buddha was against the passive dying out of karma by practicing immobile asceticism. He said one cannot be liberated by this practice that involves sitting motionlessly for extended periods of time.
Incorrect
Solution: c)
Buddha taught that sometimes, even if we get what we want, we are not satisfied, and want even more (or want other things). The Buddha described this as thirst or tanha.
He taught that this constant craving could be removed by following moderation in everything.
Buddha was against the passive dying out of karma by practicing immobile asceticism. He said one cannot be liberated by this practice that involves sitting motionlessly for extended periods of time.
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Question 5 of 5
5. Question
Madhyamaka and Yogacara are philosophical traditions related to
Correct
Solution: d)
Madhyamaka and Yogācāra are the two main philosophical trajectories associated with the Mahāyāna stream of Buddhist thought.
Madhyamaka refers to a tradition of Buddhist philosophy and practice founded by the Indian philosopher Nāgārjuna (c. 150-250 CE). The foundational text of the Mādhyamaka tradition is Nāgārjuna’s Mūlamadhyamakakārikā. Madhyamaka thought had a major influence on the subsequent development of the Mahayana Buddhist tradition. It is the dominant interpretation of Buddhist philosophy in Tibetan Buddhism and has also been influential in East Asian Buddhist thought.
Yogacara is an influential tradition of Buddhist philosophy and psychology emphasizing the study of cognition, perception, and consciousness through the interior lens of meditative and yogic practices.
Incorrect
Solution: d)
Madhyamaka and Yogācāra are the two main philosophical trajectories associated with the Mahāyāna stream of Buddhist thought.
Madhyamaka refers to a tradition of Buddhist philosophy and practice founded by the Indian philosopher Nāgārjuna (c. 150-250 CE). The foundational text of the Mādhyamaka tradition is Nāgārjuna’s Mūlamadhyamakakārikā. Madhyamaka thought had a major influence on the subsequent development of the Mahayana Buddhist tradition. It is the dominant interpretation of Buddhist philosophy in Tibetan Buddhism and has also been influential in East Asian Buddhist thought.
Yogacara is an influential tradition of Buddhist philosophy and psychology emphasizing the study of cognition, perception, and consciousness through the interior lens of meditative and yogic practices.
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